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舒炯

Shu Jiong

舒炯,男,满族,别署树庭,室名观云堂,1956年 1月生于四川成都,四岁学书,受业于西蜀李灏先生。三十余年来,遍临历代各家,而于汉魏六朝书迹用功最深,精研篆隶,简帛,兼及真楷溢而为行为草,取精用宏化融碑帜,以书证道,道于书合,遂成自家面貌。其书作气韵生动,笔势跌宕,于凝炼古雅中透露出相懋真淳的个人情调。纵横交错的点线,浓淡枯湿的墨彩,营构出一种具时空效应和生命活力的形式美。   现为成都市政协常委,中国书法家协会会员,四川省书法家协会常务理事。成都市书法家协会副主席,成都市青年书法家协会主席,传略收入《中国美术年鉴》、《中国古今书法定辞典》、《中国当代书法定辞典》、《中国当代艺术界名人录》。   1977年参加“成都市书画艺术展览”。   1980年参加“全国第一届书法篆刻作品展览”。   1982年参加“全国中青年书法家作品邀请展”。   1983年参加“中日书法艺术交流展览”。   1984年参加“全国第二届书法篆刻作品展览”。   1985年参加“国际书法展览”。   1986年参加“国际和平年美术、摄影、书法作品展览”、“第二次中国、新加坡书法艺术交流展览”、“全国第二届中青年书法篆刻家作品展览”、“当代书家龙虎字书沙法展览”。   1987年,参加“全国第三届书法篆刻作品展览”、“振兴丝路国际书展览”、“中日友好书法交流展览”、“当代著名书法家作品展览”,担任“蜀都青年书法大赛”主任评委。   1988年担任“全国首届青年书学讨论化”副主任评委,荣获“四川省青年杰出人物”称号。   1989年,参加“首届国际青年书法展览”、“棠湖国际书法邀请展”。   1990年,参加“全国第三届中青年书法篆刻家作品展览”,“王羲之故里国际书业邀请展”。   1991年,参加“当代书画篆刻名家作品展览”,受聘为《中国当代青年书法家辞典》编委。   1992年,参加“中国迁安首届国际书画名家作品邀请展览。”   1994年,参加“国际书法精品邀请展”,“中日书法交流展览”。   1995年,参加“中韩书法精品展”。   1996年,受聘为“三峡书画艺术馆”顾问。   Mr. Shu Jiong, Man nationality, and pseudonym: Shuting, study Guan Yuntang. He was born in Chengdu, Sichuan province of China in Jan,1956. When he was four years old, he began to learn calligraphy from Mr. Li Huoof western Sichuan. For the past 30 years, he has widely studied various calligraphers in different dynasties, giving special attention to the calligraphy of the Han and the Wei Dynasties, the South and the North Dynasties. He studied deeply seal script, official style script, calligraphy on the inscribed pieces of wooden or bamboo and on the silk, and more the regular script. On the basis of above research, the running hand and cursive hand of his own style formed. Grasping the spirit of calligraphy, achieving mastery through a comprehensive study of the script on the tablets and notes, he probed the real being in his calligraphy creation, and the real being of universe was fused in his own style. With vivid momentum and flowing rhythm, his creation shows the natural and honest individual sentiment from the elegant and concise style. The points and the lines with great ease, the ink color, being dark, light, dried and wet, all these have formed the time and space effect of calligraphy, and the vigor of human life. At present, he is a member of the Standing Committee of C.P.P.C.C of Chengdu, a member of China‘s Calligraphers‘ Association, the vice -chairman of Chengdu Calligraphers‘ Association, the chairman of Chengdu Youth Calligraphers‘ Association. His brief biography has been selected into "Fine Arts Collection of China", ‘Ancient and Contemporary Calligraphers‘ Dictionary of China", "Contemporary Calligraphers‘ Dictionary of China", "the Famous Figure of the Contemporary Arts Circles in China". In 1977, he joined the National Calligraphy and Painting Exhibition of Chengdu City; In 1980, he joined the First National Calligraphy and Seal Cutting Exhibition; In 1982, he joined the National Middle-aged and Youth Calligraphers‘ Creation Exhibition; In 1983, he joined the China-Japan Calligraphy Exhibition;In 1984, he joined the Second National Calligraphy and Seal Cutting Exhibition; In 1985, he joined the International Calligraphy Exhibition; In 1986, he joined the Art, Photography and Calligraphy Exhibition of the International Peace Year, the Second China-Singapore Calligraphy Exchange Exhibition, the Second National Middle-aged and Youth Calligraphy and Seal Cutting Exhibition, the Contemporary Calligraphers‘ Creation Exhibition of the Chinese Calligraphers‘ Dragon and Tiger; In 1987, he joined the Third National Calligraphy and Seal Cutting Exhibition, Developed the Silk Road International Calligraphy and Painting Exhibition, Held the Post of Chief Commentator of Shudu Youth of Sichuan Province; In 1988, held the Post of Vice-Chief Commentator of the First National Youth Calligraphy Theory Discussion, he was awarded the honorable title of prominent youth of Sichuan province; In 1989, he joined the First International Youth Calligraphy Exhibition, Tanghu International Calligraphy Invitation Exhibition; In 1990, he joined the Third National Middle-aged and Youth Calligraphy and Seal Cutting Exhibition, Wang Xi-Zhi Native International Calligraphy Exhibition; In 1991, he joined the Contemporary Calligraphy and Seal Cutting Exhibition. He was engaged as the editor of "China Contemporary Youth Calligraphers‘ Dictionary"; In 1992, he joined the First International Calligraphy and Painting Invitation Exhibition, held in Qianan , China; In 1994, he joined the International Calligraphy Cream Invitation Exhibition, China -Japan Calligraphy Exchange Exhibition; In 1995, he joined the China-Korea Calligraphy Exhibition; In 1996, he was engaged as the consultant of Shanxia Art Gallery of Calligraphy and Painting.

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个人简介

舒炯,男,满族,别署树庭,室名观云堂,1956年 1月生于四川成都,四岁学书,受业于西蜀李灏先生。三十余年来,遍临历代各家,而于汉魏六朝书迹用功最深,精研篆隶,简帛,兼及真楷溢而为行为草,取精用宏化融碑帜,以书证道,道于书合,遂成自家面貌。其书作气韵生动,笔势跌宕,于凝炼古雅中透露出相懋真淳的个人情调。纵横交错的点线,浓淡枯湿的墨彩,营构出一种具时空效应和生命活力的形式美。

  现为成都市政协常委,中国书法家协会会员,四川省书法家协会常务理事。成都市书法家协会副主席,成都市青年书法家协会主席,传略收入《中国美术年鉴》、《中国古今书法定辞典》、《中国当代书法定辞典》、《中国当代艺术界名人录》。

  1977年参加“成都市书画艺术展览”。

  1980年参加“全国第一届书法篆刻作品展览”。

  1982年参加“全国中青年书法家作品邀请展”。

  1983年参加“中日书法艺术交流展览”。

  1984年参加“全国第二届书法篆刻作品展览”。

  1985年参加“国际书法展览”。

  1986年参加“国际和平年美术、摄影、书法作品展览”、“第二次中国、新加坡书法艺术交流展览”、“全国第二届中青年书法篆刻家作品展览”、“当代书家龙虎字书沙法展览”。

  1987年,参加“全国第三届书法篆刻作品展览”、“振兴丝路国际书展览”、“中日友好书法交流展览”、“当代著名书法家作品展览”,担任“蜀都青年书法大赛”主任评委。

  1988年担任“全国首届青年书学讨论化”副主任评委,荣获“四川省青年杰出人物”称号。

  1989年,参加“首届国际青年书法展览”、“棠湖国际书法邀请展”。

  1990年,参加“全国第三届中青年书法篆刻家作品展览”,“王羲之故里国际书业邀请展”。

  1991年,参加“当代书画篆刻名家作品展览”,受聘为《中国当代青年书法家辞典》编委。

  1992年,参加“中国迁安首届国际书画名家作品邀请展览。”

  1994年,参加“国际书法精品邀请展”,“中日书法交流展览”。

  1995年,参加“中韩书法精品展”。

  1996年,受聘为“三峡书画艺术馆”顾问。

 
Mr. Shu Jiong, Man nationality, and pseudonym: Shuting, study Guan Yuntang. He was born in Chengdu, Sichuan province of China in Jan,1956. When he was four years old, he began to learn calligraphy from Mr. Li Huoof western Sichuan. For the past 30 years, he has widely studied various calligraphers in different dynasties, giving special attention to the calligraphy of the Han and the Wei Dynasties, the South and the North Dynasties. He studied deeply seal script, official style script, calligraphy on the inscribed pieces of wooden or bamboo and on the silk, and more the regular script. On the basis of above research, the running hand and cursive hand of his own style formed. Grasping the spirit of calligraphy, achieving mastery through a comprehensive study of the script on the tablets and notes, he probed the real being in his calligraphy creation, and the real being of universe was fused in his own style. With vivid momentum and flowing rhythm, his creation shows the natural and honest individual sentiment from the elegant and concise style. The points and the lines with great ease, the ink color, being dark, light, dried and wet, all these have formed the time and space effect of calligraphy, and the vigor of human life.

At present, he is a member of the Standing Committee of C.P.P.C.C of Chengdu, a member of China‘s Calligraphers‘ Association, the vice -chairman of Chengdu Calligraphers‘ Association, the chairman of Chengdu Youth Calligraphers‘ Association. His brief biography has been selected into "Fine Arts Collection of China", ‘Ancient and Contemporary Calligraphers‘ Dictionary of China", "Contemporary Calligraphers‘ Dictionary of China", "the Famous Figure of the Contemporary Arts Circles in China".

In 1977, he joined the National Calligraphy and Painting Exhibition of Chengdu City;

In 1980, he joined the First National Calligraphy and Seal Cutting Exhibition;

In 1982, he joined the National Middle-aged and Youth Calligraphers‘ Creation Exhibition;

In 1983, he joined the China-Japan Calligraphy Exhibition;In 1984, he joined the Second National Calligraphy and Seal Cutting Exhibition;

In 1985, he joined the International Calligraphy Exhibition;

In 1986, he joined the Art, Photography and Calligraphy Exhibition of the International Peace Year, the Second China-Singapore Calligraphy Exchange Exhibition, the Second National Middle-aged and Youth Calligraphy and Seal Cutting Exhibition, the Contemporary Calligraphers‘ Creation Exhibition of the Chinese Calligraphers‘ Dragon and Tiger;

In 1987, he joined the Third National Calligraphy and Seal Cutting Exhibition, Developed the Silk Road International Calligraphy and Painting Exhibition, Held the Post of Chief Commentator of Shudu Youth of Sichuan Province;

In 1988, held the Post of Vice-Chief Commentator of the First National Youth Calligraphy Theory Discussion, he was awarded the honorable title of prominent youth of Sichuan province;

In 1989, he joined the First International Youth Calligraphy Exhibition, Tanghu International Calligraphy Invitation Exhibition;

In 1990, he joined the Third National Middle-aged and Youth Calligraphy
and Seal Cutting Exhibition, Wang Xi-Zhi Native International Calligraphy Exhibition;

In 1991, he joined the Contemporary Calligraphy and Seal Cutting Exhibition.
He was engaged as the editor of "China Contemporary Youth Calligraphers‘ Dictionary";

In 1992, he joined the First International Calligraphy and Painting Invitation Exhibition, held in Qianan , China;

In 1994, he joined the International Calligraphy Cream Invitation Exhibition, China -Japan Calligraphy Exchange Exhibition;

In 1995, he joined the China-Korea Calligraphy Exhibition;

In 1996, he was engaged as the consultant of Shanxia Art Gallery of
Calligraphy and Painting.

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